Founder of Materiology
One stunning personality. The 33-year-old has created FAB.REcology, a fabrication machine that changes the very nature of a material as it is printed, taking the process far beyond the current abilities
of rapid prototyping.
“Imagine you are feeding concrete into the machine and you have some sort of mechanism that controls its density,” Oxman says. “The concrete can come out very dense and thick, or it can come out very porous.” Areas that are load bearing would be solid, while those that provide ventilation and light would be permeable, dramatically reducing material redundancy and energy demands. “The architect becomes this composer that controls material distribution,” she says. “It’s no longer about the shape of a building but rather its behavior.” And though Oxman is now limited to feeding the relevant environmental data into the machine at the lab, she imagines the technology evolving into a giant robot that would survey conditions and print a building on-site.
Presentation for SeedMagazine:
Pop Tech Presentation on Designing Form:
1. Do what has to be done
2. When it has to be done
3. As well as it can be done; and
4. Do it that way every time
In the course of history, the occidental relationship between nature and culture has formed a dualism. Whatever was wild nature was supposed to be civilized by culture. Whatever was culturally molded could not be considered natural. It is by this antagonism in the basic concept that, to this day, we perceive our natural environment. We differentiate between culture and nature, urban and rural areas, artificial and natural, even though the respective values have traded places.
It is no longer human culture that seems desirable, but it is nature, in its destruction by man, that seems to be in need of saving.
However, the antinomy of man and environment continues to exist without being questioned. Flowers are nature – buildings are culture. Chimeras such as port basins or nature reserves are <<loundered>> terminologically.
Our newest proposal for an urban event organized by British Council Bucharest.
Here is the entire text presentation:
Poetry lives a secret life all around us. Whenever we deal with anything abstract ideas, emotions, feelings,
concepts, thoughts, we inevitably resort to metaphor. It is a way of thought before it is a way with words.
Just look at the words around you!
Through this event, several public spaces will get to be “written” with poetry, turning into a series of
interactive aesthetic experiences. The text is completely central to the installation, and our commitment is
to use design to enhance and reveal the text and meaning behind it. Presenting the subject matter simply
and truthfully, making it live and breathe.
Installations will be placed in spaces with existing character, ambience and dramatic potential, offering a
creative space very different from that of the traditional. The poetry should no longer be confined to the
indoors, but should invade the entire space.
Poetry reflects human nature, how we conceptualize reality, how we relate to one another ‐‐ by
experiencing it, we can get a window onto what makes us tick.
‐ Using the city as a rite of passage ‐ the whole being greater than the sum of the parts
The Word Ladder is a game in which a start word in changed into the end word progressively,
creating an existing word at each step.
‐ Making the materiality nearly disappear by using mainly lighting installations and new software, in
order for the actual texts to stand out
‐ Pattern recognition – (same “language” for each “sentence”) using raw shapes that embody
patterns of texts
‐ Use of colour through Synesthesia ‐ understanding one concept in the context of another –
metaphor in the context of color.
The starting point is embodied by an intersection in one of the residential communist districts in
Bucharest, where the quality of living is low – Rahova. This empty space will act like a vacuum,
absorbing people to the center of the city.
Physical operation –reflectors with written texts will be placed on the existing lighting poles in a
way that it projects in the directions of the pedestrian crossings. Poetry will literally bring more
light (even safety for the passers) into a rather darksome space for living.
Meaning can be found in an the smallest gestures – like when you found yourself holding a crossbar inside
a tram on your way to work. A few minutes in contact with a verse will leave a definite mark on your way
of perceiving life.
Physical operation –embossed verses fixed on the crossbars in key places (for the vertical bars at the
1.20m). Same text will appear on the window in front, in different colors representing a type of poetic
construction. Therefore the light coming from outside will reflect rainbows inside.
Upon encountering the “hats” in the very center of Bucharest, people may feel like astronauts
approaching a geometric, stainless steel meteorite. Yet step beneath and its effect is revealed – you’re
standing in the shade of poetry.
Physical operation –On a bigger scale aproach, the pergolas (hats) reflect the texts on the pavement of the
park alley. Bright light shines through color‐filtered glass panels, creating shifting prismatic bands of colors
on the pavement. The same effect will be obtained by night, with the use of reflectors fixed on the top of
Metro line Unirii‐Romana
This “chapter” uses the “gaze” in terms of how people are relating to each other – bodies become
canvases, and a curious eye looks back at the curious viewer.
Physical operation –reflectors will be mounted face to face with the metro line on the connecting on the
connecting root, calibrated after different positions a person can take while waiting for the metro.
5. Rich High
The end of the passage can’t be anything else but an installation that would make people look up and
reach the sky through poetry.
Physical operation – a white “cloud” constructed with light materials and a white membrane stretched on
wires fixed to the entrance of the British Council, reaching as high as the adjacent building that inevitably
keeps the villa in permanent shade throughout the day. During the night, a reflector mounted inside the
“cloud” will bring poetry to life.
Synesthesia —from the Ancient Greek σύν (syn), “together,” and αἴσθησις (aisthēsis), “sensation“—is a neurologically-based condition in which stimulation of one sensory or cognitive pathway leads to automatic, involuntary experiences in a second sensory or cognitive pathway.
Common forms of synesthesia:
– grapheme – letters or numbers are perceived as inherently colored
– number form synesthesia
– sound synesthesia – hearing sounds in response to visual motion and flicker
Synesthesia in art